Founded on July 2nd, 1998 in the neighborhood of Pirajá, it is also a community organization that focuses on Afro Brazilian culture rooted in political and social programming. The idea of using Anastacia as a symbol emerged in 1994 at the International Day of the Woman in the Pelourinho.Ĭortejo Afro: “The African Parade” as translated is one of the newest Afro Blocos in Salvador. You can often see the women of Dida wearing similar masks making reference to her legacy and reminding the public of the continued oppression of Afro Brazilian women. She still was able to heal people and perform miracles even while wearing the muzzle, so it was removed, but unfortunately in the meantime she developed gangrene in her face and died. Her slave masters got wind of these healing powers, and put the metal muzzle on her, only allowing her to take it off to eat. She alleviated the siffering of other by speaking. She was the object of prejudice, of envy, and of sexual abuse. Her name is Anastacia, the legendary slave woman who resisted the burden of a racist society, and subsequently found herself the bearer of a metal face mask, or muzzle.Īnastácia was a peaceful loving woman, and beautiful. They have a patron “saint” so to speak of their organization. The musicians in Timbalada have a different look to them- usually play shirtless and paint their bare torsos with white, African patterns and symbols, with their instruments having a similar design.ĭida is also deeply rooted in the African diaspora. Additionally, Carlinhos Brown founded a n organization in Candeal, called the “Pracatum project” which hosts a school for music and dance. It became a party spot in the city of Salvador, attracting both people from Salvador as well as tourists. Timbalada had outdoor rehearsals that took place in Candyall Ghetto Square, in Candeal. Three singers, a brass section, a bass and a keyboard complete their line up! During carnival, up to 200 timbaus perform in the bloco! Timbalada’s stage performance includes up to ten timbals which are part of a set furthermore containing 5 surdos, repiniques, timbales, a drum set and a “percuteria” (a mixture between drum- and percussion set). The name of the group, Timbalada is named for the Timbal drum. Afro Blocos also serve to its community members to acknowledge racial awareness, self esteem, education, and general wellness of the neighborhood.Ĭrlinhos Brown is a musician who is very popular in Brazil, and is considered one of Brazil’s most popular artists. Afro Blocos bring together music, race, religion, language, and expression of resistance to combat racism, emerging as cultural and political projects to combat prejudice, and make African history known. Afro blocos are neighborhood based communities that encourage cultural activities that are rooted in political and social programming, encouraging race consciousness which was mostly exemplified via music. Samba reggae was first played publicly by an Afro Bloco called Ilê Aiyê in 1974. Created in the 1970’s as a mixture of Brazilian Samba de Roda and Jamaican Reggae, by the “Father of Samba Reggae” named Neguinho Do Samba, most historians and locals will say that Samba Reggae music is an extension of the Black Pride movement and is noted as being significant in returning samba to its African roots and identity. Samba reggae is a genre of music that comes from the communities, cultural institutions, and streets of Salvador da Bahia, Brazil.
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